Who is the inventor of oil painting?
Who is the inventor of oil painting? Simply do oil painting media agent, in the Byzantine era it was tested. According to records, which draw on the sun exposure a few months will not dry. In 1200, monks relief Ross wrote a thesis about oil "variety of art forms," in the paper, he introduced the Linseed oil and the Arab use of resin. 13, the end of the century in the British Isles appeared similar to oil painting. 14, the end of the century, the Netherlands, two painters Van Eyck brothers (YANG Fan Ke-loving brother and Hubert Van Eyck) to find an easy-to-melting oil paint and painting method, created Pure oil. Art historians can not conclude that Van Eyck brothers is the inventor of oil painting, but at least they are on the basis of previous tests have found an ideal to oil-based painting medium dose formulations. Many experts believe that their greatest achievements in the oil added to the natural resin, so that the Bank pen smooth, medium Quick-drying agent. YANG Fan Ke-love "阿尔诺芬尼wedding," one of the most famous paintings and his works, "Ghent altar painting" (now in the possession of Ghent, Belgium city of St. Frederick Church of Pakistan, by the composition of the 23 paintings .) -Oil Painting Reproduction-Person Oil Painting Europe is considered to be important in the history of the development of oil painting works. Van Eyck brothers invented the technology transfer oil, is said to be in a "white spot Bruges" and Linseed oil paint mixed together, they reconcile with his painting Tan Peila used in paint and found good results . (Some researchers believe that the "white spot Bruges" is a distillation turpentine, and now we still use dilution turpentine oil paints.) Italy was first to study and master the techniques of oil painting of the artist Anton Dahme Nailuo Messina (Antonueuo De Messina 1430-1479) is said to be in the Netherlands to understand that the brothers Van Eyck oil painting techniques, to return to Venice to teach how to use oil paints, oil painting since then as an independent kind of painting in popularity in continental Europe.
